Experts had expected the masterpiece to break new ground at the famed New York auction house; its presale estimate of at least $80 million was the highest ever listed at Sotheby’s.
It sold for $119,922,500, which includes the premium paid to Sotheby’s.
Previously, the most expensive artwork ever sold there was Pablo Picasso’s painting “Nude, Green Leaves, and Bust,” which brought in $106.5 million two years ago. The previous record for a Munch work of art was just over $38 million.
The version of “The Scream” on the block Wednesday was one of four — two pastels and two paintings — executed between 1893 and 1910, Sotheby’s said, and is one of the best-known images in modern art.
It’s also the only version a private collector can get their hands on at public auction. The other three are housed in National Gallery of Norway and at the Munch Museum in the Norwegian capital, according to Sotheby’s.
Munch also created a lithograph of “The Scream” in 1895, the same year he executed the pastel auctioned on Wednesday.
Munch’s use of color, art historians say, is a distinguishing characteristic of this version. The pastel-on-board also remains in its original frame.
Dubbed “the portrait of a soul” and “the face that launched 1,000 therapists,” “The Scream” depicts a distorted human figure — hands flat against its sunken face, eyes and mouth wide open — in the foreground of a nightmarish landscape.
The pastel is being sold by Norwegian businessman Petter Olsen, whose father is thought to have been a friend and patron of the famed artist.
“I was walking down the road with two friends when the sun set; suddenly, the sky turned as red as blood,” Munch wrote, describing how the idea for the painting came about. “I stopped and leaned against the fence, feeling unspeakably tired. Tongues of fire and blood stretched over the bluish black fjord. My friends went on walking, while I lagged behind, shivering with fear. Then I heard the enormous, infinite scream of nature.”
Few pieces have crossed the $100 million benchmark at public auction, said Sotheby’s spokesman David Norman.
“The Scream has really entered the collective conscience, whatever nationality, whatever country, whatever attitude or age, it really sort of speaks to that sort of existential terror that everyone experiences in the world,” Norman said.